The High Museum bronze, recently cleaned of surface dirt, has very little wear, so its original and darker brown-black patina is nearly intact. [4], Long a sub-contractor to Louis Comfort Tiffany's Tiffany Studios, the foundry moved in 1927 to Tiffany's red brick factory in Corona, Queens, New York.[5]. While sand-casting foundries were common, the . Pictures, short biographies, and descriptions of each sculpture were good, but the photos lack any dimensions of each piece or when they were made to put them into perspective of each of the sculptor's life work. 1915 Bronze Category Back To Decorative Objects Necessary steps for judging the quality of a bronze sculpture include: determining how the cast was assembled from examining its seams and joints; inspecting its interior for clues about the casting method; feeling its thickness and heft to determine if it was made with the minimum amount of metal; noting how it is mounted to a base and whether anything is being intentionally hidden; scanning the surface to see how well it is chased; and knowing what to expect of original patinas on old bronzes. Roman Bronze Works, now operated as Roman Bronze Studios, is a bronze foundry in New York City. These companies entered into agreements with artists (or with foundries that owned the rights to models) to sell their bronzes, which Tiffany or Starr stamped with their names. The Amon Carter Museum of American Art is supported, in part, by the generosity of Carter members and donors, and by grants from Arts Fort Worth, the City of Fort Worth, the Fort Worth Tourism Public Improvement District, the National Endowment for the Arts, and the Texas Commission on the Arts. ^)"'i1(*Mf}'Bzm$m|DK 1 \sm?N]ugW)L7&_ZJMlbW +'{?:$>%4}B^hZWPr. For Sale on 1stDibs - An Art Deco bronze sculpture of Anubis, Egyptian God of the Underworld, by Roman Bronze Works. Bring your club to Amazon Book Clubs, start a new book club and invite your friends to join, or find a club thats right for you for free. D. PRATT / BY A.P.P." . Next to their contemporary, Gorham Founders Co., Roman Bronze Works was one of the first American foundries to succeed commercially with the cire purdue, or lost-wax, casting method. It has a slightly heavier, less translucent surface consistent with other posthumous casts of Bartletts models, for instance the Seated Female Torso, modeled about 1895, at the Smithsonian American Art Museum, Washington, D. C., also a 1958 gift of Mrs. Armistead Peter. W 10 in. Smithsonian American Art Museum 8th and G Streets, NW Washington, DC 20004 Hours Mon - Sun: 11:30 am7:00 pm Renwick Gallery Pennsylvania Avenue at 17th Street, NW Washington, DC 20006 Hours Mon - Sun: Assessing bronzes that were cast without the involvement of the artist is particularly demanding, and posthumous, or estate, casting is further complicated by ethical concerns. 800 S Tucker Dr I am a collector of Bronzes and have one nice bronze by the Roman Bronze Work Foundry dating from 1910. With works sited outdoors, natural oxidation of the metal occurs from exposure to weather and pollutants. The foundry's mold makers, casters, chasers and finishers, and patinaters cast sculptures from plaster and terra cotta models provided by sculptors. 5 The Medallic Art Collection of American Bronzes, Sotheby Parke-Bernet, New York, September 29, 1977, Lot 89. The sculptor typically signed her work Bessie Potter Vonnoh10 in script or block letters and included the date of the model, as seen on the Metropolitan Museums cast (Fig. Authors conversations with Thomas P. Somma, February 6, and July 24, 2006. (83.8 x 66 x 22.2 cm) %PDF-1.6 % K-12 lesson plans, tools, and other help for history teachers. After 1900, his illustrative style shifted to one of Impressionism, as he became influenced by the work of Monet, Childe Hassam, and John H. Twatchman. A time-honored means for determining the authenticity of a bronze cast is to measure it for comparison with a known lifetime cast from the edition. Eligible for Return, Refund or Replacement within 30 days of receipt. 5a), while the most casual examination of the Griffoul-marked version reveals indiscriminately applied globs of material intended to approximate curls (Fig. Call us! Also, new patinas are sometimes applied to outdoor sculpture that has been defaced by weathering or to small sculptures that have been stripped down to the raw metal by overcleaning. Category Furniture 9 Decorative Objects 9 Another informative comparison is found in the handling of the hair. No. Its foundry, long a sub-contractor to Louis Comfort Tiffany's Tiffany Studios, moved to Tiffany's Corona, New York, red brick factory in 1927 [1]. Artwork Details Overview Signatures, Inscriptions, and Markings Provenance API Access Title: End of the Trail Artist: James Earle Fraser (American, Winona, Minnesota 1876-1953 Westport, Connecticut) Date: 1918, cast 1918 Culture: American Medium: Bronze Dimensions: 33 x 26 x 8 3/4 in. Thus measurements can never be the sole means for determining the legitimacy of a cast. Detail is lost in the moccasins and feathers and the hand/wrist articulation is poor compared to the other cast of The Cheyenne (0827.40). n'w02VQ? qi:LIFQnEDl In the copy the topknot has been heightened, the tendrils in front of the left ear no longer look like corkscrew curls, and the rest of the hair looks like it has been raked rather than deftly modeled. While in theory taking measurements is a useful means to establish a comparison, it is ultimately an imprecise tool owing to the employment of various measuring techniques, the changeable height of an integrally cast self-base (which can be adjusted in the finishing stages), and differing production techniques, particularly when there is more than one foundry involved. 5b). 1917 Sports Trophy for IC4A by Roman Bronze Works, Two Lap Relay Race . Amon Carter Museum of American Art, Fort Worth, Texas, Amon G. Carter Collection . In February 2003 he pled guilty to making unauthorized copies of sculptures, agreeing to pay $100,000 in restitution. A comparison of the right rear feet illustrates both exaggeration and softness in the paws and claws in the lost-wax cast (see Fig. A bronze plate covers the bottom of the base and is tapped with a hole for mounting to a larger plumbing attachment (see Fig. They also scaled down monumental and other finished works for editions of collectors' bronzes, allowing works by Daniel Chester French, Augustus Lukeman [6] and Augustus Saint-Gaudens to ornament a private library or drawing room. 3c). However, it is doubtful that this is the original cast number 47. awards, and more. second quarter 20th century, cast signature along back edge of self-base, Roman Bronze Works foundry inscription "RBC" and marked "1053" at back and side edges, now on a shaped black base, a "Conner-Rosenkranz, New York" gallery label at bottom. 12 of an estimated 15 authorized casts, the first 8 of which were numbered lifetime casts. Ears of the horse and surrounding hair differ also. Metropolitan Museum of Art, New York City, purchase, Friends of the American Wing Fund. Foundry Mark: On side of base: ROMAN BRONZE WORKS N- Y-Collection Name. ]/Pour/Col Crasto/Fonb [sic]/Antoine, which indicates it was made for a Colonel Crasto and that its casting was overseen by the artists widow, Suzanne.7 Antoine was presumably an artisan who worked in the foundry. Our site is in beta. In addition to a signature and date virtually identical to those on the Metropolitans cast, the High Museums is also marked SB 19[32? 9 Alexander Phimister Proctor,br/> Buckaroo (Gorham / Gargani, detail foundry mark), ca. The other example is a lost-wax bronze inscribed Cast by Griffoul Newark N J. In addition, the edge of the base bears the ghost of another inscription reading roman bron. This partly obliterated second foundry mark is a strong indication that this is either a surmoulage8 or a cast made posthumously from a plaster. Although other records exist in various institutional archives, none is described in detail or addresses fine art casting in depth. for conformance to specific guidelines. An Art Deco bronze sculpture of Anubis, Egyptian God of the Underworld, by Roman Bronze Works. This information is published from the Carter's collection database. Research: 918-631-6412, 6:00 a.m. 11:00 p.m. daily Mark Beard [Bruce Sargeant (1898-1938)] Statue of an Athlete, n.d. . View Full Details. [11] In 2002, Schiffer Publishing released a book about Roman Bronze Works, A Century of American Sculpture; The Roman Bronze Works Foundry, written by Lucy D. Rosenfeld and based on the firm's ledgers and archival photographs at the museum. The surmoulage was cast from a bronze that had the protruding copper pipes in place, which resulted in an amusingly awkward continuation of the frogs mouths that makes them appear to be whistling (see Fig. By the 1890s there were commercial galleries in Boston, New York, and Philadelphia showing bronze sculpture alongside paintings. Established mostly by French and Italian immigrants, foundries specializing in art casting developed simultaneously with the decline of the prevailing neoclassical style, for which marble had been the preferred medium. As to foundry marks, companies that were in business over long periods sometimes varied their inscriptions, but these changes were usually minor. [9] Some of the molds were moved to warehouses in Copiague, New York, under the aegis of American Art Restoration, Inc.[10]. Examples of the same model made years apart will have more conspicuous distinctions, primarily in chasing and patina. The one documented lifetime example was cast by the Gruet foundry in Paris and was donated to the Rhode Island School of Design in Providence in 1923. 39.65.43a, b. In the authentic cast, the brows are modeled as subtle ridges, whereas the surface of the surmoulage has simply been incised. The majority of reproductions do not have foundry marks. That foundry was the Roman Bronze Works and its castings (and often the initials R.B.W.) A few essentials must be kept in mind when considering American bronze sculptures from this era. A Century of American Sculpture: The Roman Bronze Works Foundry (Schiffer Design Books) Hardcover - April 10, 2002 by Lucy D. Rosenfeld (Author) 4 ratings See all formats and editions Hardcover $75.97 10 Used from $48.78 13 New from $70.98 Category 1910s American Arts and Crafts Antique Bronze Marks. Artists who were closely involved in the casting process believed in the individuality of the single cast within an edition. An additional two unnumbered prototypes were produced in the artist's lifetime. Help us keep improving! Signed and dated Paul W. Bartlett/1887 on the left of the self-base, and stamped Tiffany & Co. on the left back of the self-base. This article is intended as a primer on how to look critically at bronze casts in order to judge them for quality and authenticity. Assessing bronzes that were cast without the involvement of the artist is particularly demanding, and posthumous, or estate, casting is further complicated by ethical concerns. Brian Ramnarine, who worked at Roman Bronze Works and opened his foundry in Queens (Long Island City) NY under the name Empire Bronze Art Foundry, was charged in Manhattan Federal Court in November 2012 with an $11 million scheme to sell an unauthorized casting of a work by Jasper Johns. endowment [8], After the foundry closed, original plaster models of major works by American artists Frederic Remington, Daniel Chester French, Charles Russell, Bessie Potter Vonnoh and Anna Hyatt Huntington were auctioned off in New York on September 17, 1988. The Roman Bronze Works is the only publicly accessible fine art bronze foundry archive in the country. Scroll left to view more. Registering provides you with personalized services, including: wish list, order status and promotions. (No Ratings Yet) Reviewed in the United States on September 1, 2021. It looks like WhatsApp is not installed on your phone. 28 7/8 x 12 1/4 x 11 in. A plaster positive mold can be used to produce only two or three negative (hollow) molds before losing its freshness. We work hard to protect your security and privacy. roman bronze works foundry markmr patel neurosurgeon cardiff 27 februari, 2023 . In addition to his paintings and sculpture, he wrote eight books and numerous short stories on the Wild West. They were the premier foundry for artists in Canada and the United States working in bronze during the first half of the 20th century, signing exclusive contracts with some of the most important artists of their era, including an exclusive relationship with Frederic Remington and Charles M. Russell. 1 The two primary processes for making bronzes are sand casting and lost-wax casting. Finally, the spurious cast of Play Days has a remodeled left hand that is positioned differently from the one on the Gorham cast. His nephew, Philip J. Schiavo, the grandson of the first Schiavo, was the president of the foundry until its closing. 10 Before her marriage to the painter Robert W. Vonnoh (1858-1933) in 1899, the sculptor most often signed her works Bessie O[nahotema]. It is also possible that it was made at another foundry where the Roman Bronze Works foundry mark was applied using individual letter stamps with the intent to deceive. Beautiful Illustrations but not a Complete list of Roman Bronze Works, Reviewed in the United States on January 11, 2011. [citation needed] History [ edit] Established in 1897 by Riccardo Bertelli, it was the first American foundry to specialize in the lost-wax casting method,[1] and was the country's pre-eminent art foundry during the American Renaissance . Whoever is producing them seems to have had success in passing them off to the less sophisticated sector of the market. This statuette was second only to "The Broncho Buster" (1986.81.2) in popularity, with some 100 casts produced before Remington's original models were destroyed in 1921. 4; Printing and Typography--Sparling, H.H. Comment on works: western. ${cardName} not available for the seller you chose. Bronze casting technology arose in the United States in the mid-nineteenth century. Established in 1897 and trademarked as Roman Bronze Works, Inc. in 1900 by its founder Riccardo Bertelli in New York. Amazon has encountered an error. [11] In 2002, Schiffer Publishing released a book about Roman Bronze Works, A Century of American Sculpture; The Roman Bronze Works Foundry, written by Lucy D. Rosenfeld and based on the firm's ledgers and archival photographs at the museum. UNT's history and scholarship, library special collections, plus a Charles M. Russell Bronze 1961.123 Counting Coup, 1905 Charles M. Russell Bronze 1961.116 The Choosing of the Arrow, 1848 Henry Kirke Brown Bronze 1997.143 The Stampede, 1909 Frederic Remington Bronze 1961.12 Indian Hunter, 1914 Paul Manship Bronze 1997.3.A Study for a Monument to Walt Whitman, 1919-1920 Bronze 2001.1 Inspiration awaits you! Roman Bronze Works, now operated as Roman Bronze Studios, is a bronze foundry in New York City. While both bronzes are legitimate casts, they have subtle but significant differences, beginning with their coloring. It might seem daunting at the outset, but learning to recognize the distinctions between a good bronze and a spurious one and to discern subtle differences between casts in an edition can be done with confidence. Our payment security system encrypts your information during transmission. Start browsing through the holdings of this collection in one of the following ways: We've created an (2 +Nc6-z}M~DH gf:K$Fm-3G2=08h"TL59B#Fv\u**Z $g( In the instance of multiple casts of a model, called an edition, unless a particular cast is numbered or uniquely marked, it is difficult to distinguish one cast from its very similar siblings. Fort Worth, TX 76107. Recommended for the beautiful color illustrations. Roman Bronze Works, now operated as Roman Bronze Studios, is a bronze foundry in New York City. The American Wing's ever-evolving collection comprises some 20,000 works by African American, Euro American, Native American, and Latin American artists, ranging from the colonial to early-modern period. The Roman Bronze Works of Corona, New York, was the foundry of choice for artists working in the United States and Canada during the first half of the 20th century, it represents a comprehensive survey of all the fine art casting that was being done during the period. Broadening scholarship has brought recognition to the variety, quality, and importance of this field of American art, just as the market value of sculpture continues to rise. We have done many enlargements, both for public commissions and private collections. We use only the finest bronze available and provide crating and shipping or transport and installation to anywhere in the continental U.S. (800) 882-5901 as well as independent and professional researchers. Bear Cub Grooming is a reduced figure excerpted from Bartletts life-sized three-figure bronze group entitled Bohemian Bear Tamer, modeled 1885-1887 (Metropolitan Museum of Art). Roman Bronze Works Archive Ears of the horse and surrounding hair . 1) with a surmoulage (Fig. 1996-2023, Amazon.com, Inc. or its affiliates. Find prices for R foundry mark to help when appraising. Harriet Whitney Frishmuths statuettes of athletic female nudes achieved remarkable success; for example, her 12-inches-tall version of The Vine, first cast in 1921, eventually reached an astounding 396 replicas. 1876-1917). Follow authors to get new release updates, plus improved recommendations. Category Vintage 1910s American Classical Greek Figurative . This bronze is marked as cast number 47. hbbd``b`6C6`$X@He`":@Dg1012e`!Q-@ EQ The Gorham cast has small semicircular stemlike protrusions that alternate with the frogs (see Fig. Double take: A closer look at American bronze sculpture. As early as 1849 Henry Kirke Brown (1814-1886) was casting small sculptures in his Brooklyn foundry with the assistance of two French workers. [estate cast], On the base: Copyright by. Eva Caten Remingtons (1859-1918) casting of her husbands work is well known and has been meticulously documented in recent scholarship.2. Some content on this site may be difficult to view. 6a). In 1895, he began to exhibit his bronzes of cowboys and horses in motion. Use your arrow keys to navigate the tabs below, and your tab key to choose an item, Title: diss., University of Delaware, 1995, and UMI, Ann Arbor, Michigan, 1996), p. 225. Although there is no date of sale for cast number 47 in the ledger, it is listed between two other bronzes that sold in 1917. 2023 Amon Carter Museum of American Art. Instant price guides to discover the market value for R foundry mark. Reviewed in the United States on August 30, 2013. The book starts off well enough with a brief, though undocumented, history of this important American bronze foundry. Good vintage condition The Highs bronze seems to have been made from a slightly worn plaster and therefore lacks some of the crispness ordinarily expected of a lost-wax cast. This particular comparison, however, turns the tables on expectations because the Metropolitans sand cast, which was probably made around the turn of the twentieth century, has more definition than the High Museum example. They also scaled down monumental and other finished works for editions of collectors' bronzes, allowing works by Daniel Chester French, Augustus Lukeman[6] and Augustus Saint-Gaudens to ornament a private library or drawing room. The Metropolitan's bronze is almost certainly a posthumous, unauthorized cast done by Roman Bronze Works. Usually these are the only marks aside from a signature, but occasionally foundries placed their marks on these bronzes as well. [3], In 1908, the foundry built a home and studio for sculptor Harry Merwin Shrady at White Plains, New York. If one or more dimensions are smaller in the suspect work, it may indicate it is a surmoulage, or recast-that is, a bronze made from a mold taken from another bronze. Consult an appropriate At first glance the spurious cast might appear to have greater detail because of its strongly ridged texture (see Fig. How does the depiction of action in sculpture compare and contrast to action in an illustration or in literature? Historic newspapers digitized from across the Red River. If you have time, write the story of your cowboys. Estate casting continues to the present for works by sculptors including Alexander Phimister Proctor, Solon Hannibal Borglum, Gaston Lachaise, and Elie Nadelman. Established in 1897 and trademarked as Roman Bronze Works, Inc. in 1900 by its founder Riccardo Bertelli in New York. To study the ledgers and archival photographs of Roman Bronze Works is to see the unfolding of American sculpture through the 20th century, for here are examples from the many schools and "isms" that locked the nation's art world in titanic battles between realism and modernism and the many significant styles in between. An early Roman Bronze Works casting, now in the collections of The Metropolitan Museum of Art in New York, is specially marked, on the base, "CAST FOR GEO. Gilcrease purchased it from the Douthitt Gallery. The model for The Cheyenne was created in 1901. All rights reserved. Toll-free: 888-655-2278 Iowa State University, Farm House Museum, Parlor, University Museums, Iowa State University eMuseum. 1876-1917). What is lagging behind this expanding appreciation by the public and in the marketplace is connoisseurship. Materials. Our Online Collections site is a work in progress. Each sculptor is given a brief biographical summary accompanied by a page or two of reproductions. Remington is known as one of the premier artist of the American West. The Roman Bronze Works example weighs just over three pounds, while the hefty Griffoul-marked example weighs nearly five pounds. For better photos and excellent information on Remington's sculptures, see Icons of the West: Frederic Remington's Sculpture by Michael D. Greenbaum, Frederic Remington Art Museum, 1996. Using stencils, create an action-packed cowboy scene. Established in 1897 by Riccardo Bertelli, it was the first American foundry to specialize in the lost-wax casting method, and was the country's preeminent art foundry during the American Renaissance (1876-1917). Make a Gift to the Collection. There was a problem loading your book clubs. Often the sculptors founder of choice-even the same foundry artisans-were employed. Shenanigans at the Roman Bronze Works may have resulted in this unauthorized and poor quality cast. Interested in American bronze sculpture? ThePrinting and Typography--Sparling, H.H. In the decades following the turn of the twentieth century, it was not uncommon for family members of deceased sculptors to continue making bronzes from original models. I am a collector of Bronzes and have one nice bronze by the Roman Bronze Work Foundry dating from 1910. https://texashistory.unt.edu/explore/collections/RBWA/. D 5 in. Janis Conner and Thayer Tolles are coauthors with Leah Lehmbeck of Captured Motion: The Sculpture of Harriet Whitney Frishmuth, to be published by Hohmann Holdings in November 2006. Roman Bronze Works American (New York, NY), 1897 - 1988. Amon G. Carter Collection Credit Line. 5 and 6). Roman Bronze Works, now operated as Roman Bronze Studios, is a bronze foundry in New York City. . [7], Roman Bronze Works was purchased in 1946 by Salvatore Schiavo, whose father had worked at the foundry since 1902. The Museum looks forward to receiving your comments. Established in 1897 by Riccardo Bertelli, it was the first American foundry to specialize in the lost-wax casting method, and was the country's preeminent art foundry during the American Renaissance (1876-1917). Some models that were never cast during his life were replicated in editions under Augustas auspices, such as the Victory statuette, modeled in 1902, that was excerpted from the Sherman Monument (1892-1903) in New York City, or reductions after the Standing Lincoln (1834-1887) statue in Chicago. How do artists create a sense of movement,motion, or action in their artworks? Includes initial monthly payment and selected options. For descriptions of these methods, see Malvina Hoffman, Sculpture Inside and Out (W. W. Norton, New York, 1939), pp. While sand-casting foundries were common, the ability to execute complex art sculpture that rivaled their European counterparts is only possible with the lost-wax method. Some fake casts are executed with sufficient skill that, at least on first examination, they can appear to be genuine. If a plaster has been overused, softer elements can be reinforced or enhanced by working the wax cast made from the plaster, but unless the artisan is able to refer to a fresh duplicate plaster or a crisply defined bronze cast, it is impossible to reproduce the artists original intent exactly. style guide Where It Still Is Seen in the Summer. Bronzesmith is a full-service foundry dedicated from the creation to completion of limited edition bronze sculpture. The Griffoul inscription seems intended to imply that the cast is from the period, since the foundry was in operation only until 1918,9 but the interior of the cast reveals very bright, new-looking metal with none of the mellowing from decades of aging found inside the Metropolitan Museums example. 1). Roman Bronze Works, now operated as Roman Bronze Studios, is a bronze foundry in New York City. You may receive a partial or no refund on used, damaged or materially different returns. Patinas on his casts from the same edition can range from conventional black, brown, and green to innovative hues of red, yellow, gold, or blue. We continue to research and examine historical and cultural context for objects in The Met collection. If you have information about this item that may be of assistance, please contact us. The piece features Roman Bronze Works' foundry mark at its base. 23 1/8 x 17 3/4 x 14 1/2 in. Detail is lost in the moccasins and feathers and the hand/wrist articulation is poor compared to the other cast of The Cheyenne (0827.40). Full content visible, double tap to read brief content. The amusing stuporous gaze of the Metropolitans bear is absent in the Highs animal because of differences in the handling of the pupils, lids, and fur around the eyes. Roman Bronze Works in New York City, established in 1897 by Ricardo Bertelli, was the pre-eminent bronze foundry in the United States during the age of Beaux-Arts style sculpture and continued to cast modernist sculptures. The preference for bronze had taken firm hold by the late 1860s when it was used to reproduce the burgeoning numbers of public sculptures, designed mostly for East Coast cities, to commemorate Civil War heroes. Roman Bronze Works, now operated as Roman Bronze Studios, is a bronze foundry in New York City. Established in 1897 by Riccardo Bertelli, it was the first American foundry to specialize in the lost-wax casting method, [1] and was the country's pre-eminent art foundry during the American Renaissance (ca. Foundry marks are nearly always inscribed with elegant simplicity and are as difficult to fake as signatures. Well, look elsewhere. Other distinctions are found in the facial features. Remington, Frederic. Please use a different way to share. We are sorry. Frederic Remington constantly adjusted details from one cast to the next, repositioning limbs and remodeling clothing and animal hides to vary textures. Established in 1897 by Riccardo Bertelli, it was the first American foundry to specialize in the lost-wax casting method,[1] and was the country's pre-eminent art foundry during the American Renaissance (ca. There is not one foundry mark used by Roman Bronze Works reproduced in this book. During the 1880s, he traveled through the Dakotas, Montana, the Arizona Territory, and Texas, returning to New York in 1885, with the desire to record the vanishing wilderness. 9 Active from 1910, Griffoul produced small bronzes for Vonnoh and such contemporaries as Bartlett and Abastenia St. Leger Eberle (1878-1942). , Inc. in 1900 by its founder Riccardo Bertelli in New York artist 's lifetime )... Works foundry markmr patel neurosurgeon cardiff 27 februari, 2023 done many enlargements, both for public and... 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Information about this item that may be difficult to fake as signatures seller. Bronze inscribed cast by Griffoul Newark N J G. Carter Collection toll-free: 888-655-2278 Iowa State University, House!
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